摘要
Video applications over broadband have emerged over the last couple years as Internet media companies and content producers seek to exploit the added speed and capacity of broadband infrastructure. The killer application on these networks is video based communication, mainly produced by users themselves. Online video consumption is already producing promising statistics; in the USA, around one in every three videos watched online is done via a Google property (primarily YouTube) – evidence that this industry leader continues to dominate. In 2008 new business models are beginning to emerge around the world as the players competing in the digital media space begin to seriously take note. This report provides an introduction to online Video Media entertainment and includes analyses, statistics and forecasts. For information on DVRs and IPTV, see separate reports.
目录及图表
1. Synopsis
2. Video streaming/web tv/video
2.1 What is streaming video?
2.2 Other forms of VoD
2.3 Streaming media standards by 1999
2.4 Broadband networks key to breakthrough
2.5 Narrowband videostreaming didn’t quite make it
2.6 Streaming HD video
3. Web tv/video
3.1 Advantages of web tv/video
4. Personal video services
4.1 Killer applications: personal video
4.1.1 YouTube
5. Telepresence
6. Emerging business models
6.1 Hollywood and VoD
6.2 TV shows on the Internet
6.2.1 Hulu launched in 2008
6.2.2 BBC iPlayer risks overloading the internet
6.2.3 ABC iView
6.3 TiVo and YouTube set to make waves
6.4 Joost and Bablegum beyond the hype
6.5 Long-tail services from JumpTV and Jalipo
7. Other developments
7.1 Are you being geo-blocked?
7.2 Think different, re: Video iPods
7.3 Intel working to improve chip architecture
7.4 Bittorrent combines P2P technology
7.5 Of The World TV
8. Video media statistics and forecasts
9. The International Webcasting Association (IWA)
10. Related reports
Table 1 – Worldwide revenue from online video – 2007; 2010
Table 2 – Online video streams & market share of top 10 online video properties in US – May - Dec 2007
Exhibit 1 – Equivalence between access modes and traditional audiovisual us
